JLC JOSÉ LEÓN CERRILLO [solo-exhibition] at Andréhn-Schiptjenko, May 4 – June 22, 2017

THE NEW BAROQUE
José León Cerrillo at Andréhn-Schiptjenko
May 4 – June 22, 2017

It is with great pleasure we announce the opening of José León Cerrillo’s second solo-exhibition at Andréhn-Schiptjenko, opening on Thursday 4 May between 5-8 pm.

Cerrillo explores the possibilities of genuine abstraction through a wide range of media, from printed posters to drawings, diagrams, sculpture, installations and performance. In his work, Cerrillo regards the concretization of the abstract as a series of failed forms; a representation of a void or an absence that inevitably points to certain contradictions in the way we think about abstraction: namely language.

Following on the previous exhibition THE NEW PSYCHOLOGY (2014), THE NEW BAROQUE by its very title continues the idea of seriality but also refers to the idea of the baroque as a self-cannibalising gesture. Where THE NEW PSYCHOLOGY dealt with language in relation to abstraction, THE NEW BAROQUE explores those limits of language as repetition and turns the void into an abyss of content. Continuing his exploration of space, perception, and interpretation Cerrillo has again transformed the entire gallery space, this time into a reflection upon itself and its history, revisiting it through memory as it were. Pushing the concept of the site-specific, freestanding wall-elements are covered with overlaid images of THE NEW PSYCHOLOGY; creating multiple memories, meanings, shapes and repetitions, taking the event of moment of perception and marking it, turning it into a symbol and returning it to literal flatness by doubling the sculptures as wallpaper, a monument in reverse.

In Echoes, several motifs introduced in the THE NEW PSYCHOLOGY are repeated to create new work. The thermoforms are imprints, to be read literally as such, as footprints in the sand or reliefs from a past action. Some signs mutate from flat to relief, some mimic posters for the past exhibition. Read more…

THE NEW BAROQUE José León Cerrillo at Andréhn-Schiptjenko May 4 – June 22, 2017 It is with great pleasure we announce the opening of José León Cerrillo’s second solo-exhibition at Andréhn-Schiptjenko, opening on Thursday 4 May between 5-8 pm. Cerrillo explores the possibilities of genuine abstraction through a wide range of media, from printed posters (Read more…)

Les Rayons n°1 (Basel), 2017  
acier, peinture epoxy, carbone

Rays n°1 (Basel), 2017
steel, epoxy paint, carbon ANDRÉHN-SCHIPTJENKO at Art Basel, June 15-18, 2017

We are delighted to welcome you to this year’s edition of Art Basel and hope to see you in Hall 2.1, Booth M19 where we will be presenting new works by gallery artists Nandipha Mntambo, Xavier Veilhan and Gunnel Wåhlstrand. Nandipha Mntambo (born 1982, Swaziland) Working with sculpture, painting, video and photography, Mntambo has become (Read more…)

Veilhan_STUDIO-VENEZIA_Photo_Giacomo-Cosua_BD1 XAVIER VEILHAN [solo-exhibition] in the French Pavilion, the 57th International Art Exhibition, La Biennale di Venezia, May 13 – November 26, 2017

Xavier Veilhan Studio Venezia French Pavilion the 57th International Art Exhibition, La Biennale di Venezia Studio Venezia, Xavier Veilhan’s musical pavilion “I imagine an overall environment: an immersive installation that propels visitors to the world of the recording studio and that is inspired by the pioneering work of Kurt Schwitters, the Merzbau (1923-1937). Musicians from (Read more…)

Den sista on GUNNEL WÅHLSTRAND [solo-exhibition] at Museum Boijmans Van Beuningen, June 24 – September 24, 2017

Museum Boijmans Van Beuningen presents an extensive solo exhibition by Swedish artist Gunnel Wåhlstrand (b. 1974). Wåhlstrand creates extraordinary large-scale ink wash paintings featuring monumental landscapes, compelling portraits and serene interiors with intriguing compositions. The point of departure for Wåhlstrand’s work was a box of family photographs—the only connection that she had to her father (Read more…)

Mirror-Image NANDIPHA MNTAMBO [group-exhibition] at 21c Museum, Louisville, Kentucky, November 2016 – June 2017

Gleaming acrylic fingernails glued into patterned, reptilian forms that emerge from the wall; barnacles and ceramic teeth encrusted in life-size human figures in decay; cement seeping through lace and paint; haunting words about the present overlaid on imagery of the past: surface tension abounds in this exploration of contemporary feminist art from the 21c collection. (Read more…)

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