WORKS (click on thumbnails to see larger images)

Mntambo_utvaldNandipha Mntambo

Born 1982, Swaziland
Lives and works in Johannesburg, South Africa

NANDIPHA MNTAMBO [solo-exhibition] at Andréhn-Schiptjenko, Paris, September 7 – October 5, 2019

Isikhala Nandipha Mntambo at Andréhn-Schiptjenko, Paris September 7 – October 5, 2019 It is with great pleasure that Andréhn-Schiptjenko announces its second exhibition in its Paris space – Isikhala the first solo-exhibition in France of the major South African artist Nandipha Mntambo. The opening takes place in the presence of the artist on Saturday September (Read more…)


Andréhn-Schiptjenko at Art Basel, June 11-16 2019 We are delighted to welcome you to this year’s edition of Art Basel and hope to see you in Hall 2.1, Booth M19 where we will be exhibiting new works by a selection of gallery artists that bring together and reflect the diverse aesthetical, intellectual, political and also (Read more…)

NANDIPHA MNTAMBO [survey] at Brooklyn Academy of Music, May 24 – Jun 24, 2018

As a part of DanceAfrica Festival 2018, BAM Visual Art is pleased to present a survey of recent video work by South African artist Nandipha Mntambo. Viewed together, the featured pieces—Ukungenisa (2009), Paso Doble (2011), and The Island (2015)—underscore the artist’s interest in the relationship between life and death, power and fragility. Nandipha Mntambo works (Read more…)

ANDRÉHN-SCHIPTJENKO at Independent New York, March 8-11, 2018

Andréhn-Schiptjenko is delighted to announce their participation at Independent Art Fair, taking place at Spring Studios in New York. We look forward to welcoming you in our booth, focused on two distinctly different forms of abstraction in the work of José León Cerrillo and Nandipha Mntambo. José León Cerrillo (b. 1976, Mexico) explores the possibilities (Read more…)

NANDIPHA MNTAMBO [solo-exhibition] at Zeitz Museum of Contemporary Art Africa, Cape Town, September 22, 2017 – January 27, 2018

Nandipha Mntambo’s solo exhibition, Material Value, presents artworks that span an entire career of using cow hide and the cultural, historical, and universal associations we attribute to this medium. The obsessive use of bovine by-products and the complex associations we attribute to cattle allows a multiplicity of readings of Mntambo’s work. The idiomatic and proverbial (Read more…)