Untitled,2015 LINDER [solo-exhibition] at Andréhn-Schiptjenko, March 9 – April 22, 2017

LINDER at Andréhn-Schiptjenko

March 9 – April 22, 2017

Andréhn-Schiptjenko proudly announces Linder’s first solo-exhibition at the gallery, opening on March 9 between 5-8 pm. This will be the first presentation of Linder’s work in Scandinavia.

Linder is an internationally celebrated artist who applies the principles of collage to the visual languages of graphic design, popular culture, fashion and fine art in the production of photomontages, performances and installations. The core of her work is a continuous exploration of desire, cultural expectations and the female body as commodity. Occasionally referring to her works as biopsies Linder’s collages manipulate, disrupt and play with porn and glamour, exposing the latter as something we should be wary of. Examining the way that women are depicted across visual culture, these collages draw attention to institutionalised misogyny. Denouncing the artificiality of groomed and tame femininity and revealing the performative aspects of gendered and social differences, the works are sometimes provocative – and also funny.

Linder has worked with the pornographic image for four decades, often montaging the images from pornographic magazines with those that she finds in interior design and fashion publications, the common denominator in all three being the depiction of the female body. Her work is often forensic in its approach, a visual enquiry into who, what, where, why and how the images that we see around us have been constructed.

The exhibition will give a comprehensive presentation of Linder’s œuvre, displaying works from different recent series. The display also includes work that is connected to Linder’s musical career – for instance photographs initially produced for a fanzine released with a Ludus (the post-punk band formed by Linder in 1978) cassette and badge in 1981 as well as largescale lightbox work featuring the iconic iron-headed woman from the 1977 Buzzcocks’ single “Orgasm Addict”. Read more…

LINDER at Andréhn-Schiptjenko March 9 – April 22, 2017 Andréhn-Schiptjenko proudly announces Linder’s first solo-exhibition at the gallery, opening on March 9 between 5-8 pm. This will be the first presentation of Linder’s work in Scandinavia. Linder is an internationally celebrated artist who applies the principles of collage to the visual languages of graphic design, (Read more…)

HK Andréhn-Schiptjenko at Art Basel Hong Kong, March 23-25, 2017

Andréhn-Schiptjenko at Art Basel Hong Kong March 23-25, 2017 Andréhn-Schiptjenko proudly announces their fifth participation at Art Basel Hong Kong. We look forward to welcoming you in booth 1B20 where we will be showing works by José León Cerrillo (MX), Lena Johansson (SE) and Xavier Veilhan (FR). Katarina Löfström’s videowork ”Downhill” is included in the (Read more…)

AspectsofTimeorthePerfectMotive Andréhn-Schiptjenko at Market Art Fair, Stockholm, March 24-26, 2017

Andréhn-Schiptjenko at Market Art Fair, Stockholm March 24-26, 2017 We are pleased to invite you to the 12th edition of Market, the leading Nordic fair for contemporary art, taking place for the first time at Färgfabriken. You will find us in booth 26 on the first floor where we will be exhibiting work by Annika (Read more…)

Den sista on GUNNEL WÅHLSTRAND [solo-exhibition] at Magasin III Stockholm Konsthall, February 11 – June 11, 2017

In 2017, Magasin III presents an extensive solo exhibition by Swedish artist Gunnel Wåhlstrand (b. 1974). Wåhlstrand creates extraordinary large-scale ink wash paintings featuring monumental landscapes, compelling portraits and serene interiors with intriguing compositions. The point of departure for Wåhlstrand’s work was a box of family photographs—the only connection that she had to her father (Read more…)

Riket, 2016, Omid Delafrouz, liten OMID DELAFROUZ [solo-exhibition] at Alingsås Konsthall, February 4 – May 13, 2017

Genom en mycket omsorgsfull process bygger Omid Delafrouz upp bilder, laddade med referenser knutna till vår tid och framförallt till den unga generation som växte upp under de sista åren av 1900-talet i en populärkultur besatt av bilder, yta och konsumtion. De detaljrika bilderna är fyllda av tidsmarkörer där varje enskilt bildelement relaterar vidare till (Read more…)