Cecilia Bengolea: Bodies Like Statues, Beginning to Move and Then Set Free

Gia Kourlas, The New York Times , October 11, 2010

Is the performer the object or is the object the performer? Cecilia Bengolea and François Chaignaud posed that question over the weekend at Danspace Project in “Sylphides” (on Thursday and Friday nights) and “Pâquerette” (on Saturday afternoon). Like the collaborators, both pieces are as audacious as they are important.