In a realm of metamorphosis and disquiet, the artist’s sculptures stage a teather of tension emotional and intellectual. Fragmented forms and twisted organisms rise from memory, fusing allure with revulsion, dissolving the line between the familiar and the uncanny. For her new solo exhibition, On Three Legs, (on view until April 2 at Andréhn-Schiptjenko, Stockholm), bronze figures teeter and strain, a confrontation with instability that refuses comfort, demanding presence in the space between fascination and unease.
Sally von Rosen: Rebirth Machine
Annalisa Fabbrucci, Nasty Magazine, March 20, 2026
