Matts Leiderstam

Overview

Matts Leiderstam has since his early career in the late 1980's primarily worked with painting, often based on photographic sources. During the first half of the 1990's his work took a political turn, for instance in his work The Shepherds, and his field of interest was expanded to the landscape – the park as a gay cruising area. This parallel perspective was later transposed to art history and more specifically to the physical space of the museum.

By the use of multiple forms of interpretation as well as the relationship between original and copy as method, such as in the extensive exhibition project Grand Tour, he was able to challenge the patriarchal gaze that has characterized art history. Since the mid 00's, when he completed his PhD, he has been working primarily with photography, installation and text in relation to landscape and portraiture as genres, all the while with painting and the gaze as an underlying theme.

His ongoing conversation with art history and its materials has led him into museum storage facilities and archives. Leiderstam has a keen interest in the circulation of artworks through commissions, acquisitions, theft and confiscation and what these things tell us. His work also deals with how ways of seeing change over time and he seeks out alternative – queer - stories connected to the act of seeing or looking at painting. For Leiderstam it is the very moment of encountering a painting that guides all the permutations his work might take within an exhibition space.

Matts Leiderstam, born 1956, lives and works in Stockholm and Malmö. Selected solo exhibitions include: Konstakademien, Stockholm (2022), Andrehn-Schiptjenko, Paris (2021), Wilfried Lentz, Rotterdam (2017), Collectors Space, Istanbul (2016), Kunsthalle Düsseldorf and Grazer Kunstverein, Graz (2010). Selected group shows include Art Encounters Biennal, Timisoara (2019), The 11th Shanghai Biennale, Shanghai, Generosity. The Art of Giving, The National Gallery, Prague (2016), Recto Verso, Fondazione Prada, Milan, In Search of Matisse, Heine Onstad Kunstsenter, Oslo (2015), 8th Berlin Biennale, Berlin, Ciclorama, Museo Tamayo, Mexico City (2013).

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Exhibitions

Installation shots

Works

Panels (96 & 97)
Panels (101 & 102 & 103)
Arkiverat (Gravläggning) / Archived (Entombment)
Arkiverat (Setts se) / Archived (Seen See)
Arkiverat (Tuktad) / Archived (Chastised)
Arkiverat (Orion) / Archived (Orion)
Panel (108)
What Does the Grid Do? (Cabinet)
What Does the Grid Do? (West Gallery)
What Does the Grid Do? (Storage)
Panel (60)
Panel (53)
Panel (61)
Panel (47)
Panel (59)
Panel (57)
Panel (56)
Panel (49)
Arkiverat (Vi Två) / Archived (Us Two)
Panel (50)
Archived (Examining)
Seen Through the Grid
Panel (48)
Panel (55)
Panel (22)
Panel (28)
Panel (34)
Panel (35)
Panel (39)
Panel (45)
Panel (8) & Archived (Pan-tomine) / Arkiverat (Pan-tomine) with painting
Panel (1)
Panel (3)
Panel (17)
Panel (20)
Panels (4a and 4b)
Panel (9)
Okänd man/ Unknown Man
Förlorade pendanger / Lost Pendants
Tårarnas Gåva (II) / The Gift of Tears (II)
Självbild/Selbtsbildnis
Kat. Nr. 84.08 (Unknown Unknown)
After Image (The 8th Duke of Hamilton with Dr John Moore and Ensign Moore)
After Image (The Life Class of the Vienna Academy in the St Anne Building)
After Image (Castle Huntly, Perthshire)
After Image (Eugen von Guérard)
After image (L'Eruption du Vésuve)
After image (Coast Scene with Apollo and the Cumaean & Landscape with Mercury and Battus
After Image (Vesuv-Ausbruch)
After Image (The Cardinals' Friendly Chat)
Proveniens
View (Papago Park)
Inside Outside
Selbstbildnis
The Artist is at Niagara Falls
On Site
The Eruption of Vesuvius